I have footage captured in Magic Lantern .raw format, converted it to CinemaDNG and want to make Prores proxies. I've done this exact workflow before with Resolve to roundtrip to FCP/Premiere but I noticed for some reason the default skin tones in Resolve aren't as pleasing/more red compared to the Raw import of AE which I think looks better.
1) Is there a way to skip the Raw Import settings that pop up every time in AE so I can simply apply the same color balance settings to all after it's been imported? I looked into the interpretation rules.txt file but not sure what to do for .dng stuff
2) Or does anyone have a LUT or workflow for Resolve that simulates the skin tones closer to what ACR is doing?
I tried exporting a .xml file from Resolve of the dng files and importing that into AE but it's been freezing up.